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Sydney Seabron

Sydney Seabron (she/her) is an Atlanta-based filmmaker and photographer dedicated to capturing stories that touch the core of the human spirit. She is drawn to beauty of light and dark, enamored by contrast. Her creative approach embraces a cinema-verité style, focusing on authenticity and genuine moments to uplift diverse cultures and communities through her lens.
Contact: sydney@ladibugstudios.com

"The Way They Ran"
This was created while I was location scouting for Passover Scars, a short film I served as Director of Photography for, directed by Lydia (Fiyori) Asmerom-Hall. We came across a group of young children who guided us through paths they knew well; across land, river, and metal. In their laughter and fearlessness, I felt the echo of my own childhood. It was a moment of joy, a reminder of how wonder lives in the smallest corners of life. (December 2019)

"Emergence"
This is a meditation on Black womanhood. It was born from a longing to see more Black women portrayed as free and fully connected to their truest selves. At the time, I was searching for that freedom within my own life. This work became both a mirror and a manifestation, a moment of release amid the constant noise of the 21st century. (March 2021)

"For a Moment, Home"
This carries a piece of Addis Ababa, Ethiopia that stayed with me long after I returned home. Though I am not Ethiopian, I felt an immediate sense of love and connection to the land. We stayed with a close friend’s family, and this was the view from the bedroom window. I often think about that room and that period in my early adulthood, exploring a new place and finding peace in unfamiliar cultures. (December 2019)

Size: 24x36

I identify as a Black American woman, rooted in a mixed lineage of Seminole Indian and African American heritage. My culture grounds me, yet my gaze often drifts toward the world beyond what I know. These works are reflections of both, the inheritance that lives within me and the inspirations that meet me wherever I go. Through my lens, I am constantly seeking the connection between the familiar and the foreign, the known and the becoming.

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